Lolita by Vladmir Nabkov is the classic story of a middle-aged pedophile and his obsessive love for a twelve-year-old girl; however, it is not simply the story of a ravenous man taking advantage of a young girl. Rather, the story is a compelling and in-depth exploration of the relationship between Mr. Humbert and his young lover, Dolores Haze, as recalled by the protagonist.
The protagonist and narrator, Humbert Humbert uses eloquent and seductive language to mesmerize his reader and breathe life into the story. Anyone who’s been following this blog for a while knows how much I love words. The brilliant vocabulary and magnificent mastery of tone in Lolita build the story, draw the reader in, and evoke simultaneously feelings of repulsion at Humbert’s thoughts and actions and sympathy towards his insatiable yearning.
Apparently there has been discussion as to whether the book is pornographic or simply an innocent love story. I would argue that the answer to that question is irrelevant. As long as a story is well-written and engaging, the topic, vantage point, and author’s ideals are momentarily irrelevant. All the reader cares about is what’s going to happen next. Like my favorite novel, 2666, Lolita is slightly disturbing, yet somehow still beautiful. Erudite and crude. Poetic, yet perverse.
The book in no way suggests that pedophilia is acceptable, nor that perpetrators are deserving of sympathy. Instead, the story dissects the most intimate thoughts and emotions of a father, a criminal, an average run-of-the-mill man.
Although the plot was not stellar or elaborately complex, the story was still powerful due to the intimate details and choice diction. Although, admittedly, it will sound completely abhorrent to some, and rub others the wrong way when they attempt to read it, I think it’s a great book for anyone who enjoys reading or is keen on classic literature and banned books.
The Four Elements: Reflections on Nature



